4/16/2023 0 Comments Carpe diem dead poets societyNeil is then forcefully dragged home to meet the disdain of his parents, facing a scolding lecture of his unappreciation toward the values of Welton and the wishes of his family. Once the play has ended, Neil is surprised to meet his father’s gaze in the audience among his ecstatic peers, but his expression is more scornful than proud. Rejecting his father’s demands for the first time in his life, Neil disobeys and continues his participation as the lead in Welton’s performance of “A Midsummer Night’s Dream”. Once Neil’s father is informed of his son’s new devotion, he furiously threatens Neil with transfer, even despite him maintaining an excellent performance in academics alongside acting. He is completely overjoyed by the discovery of this new passion with his restricted and regimented upbringing, such activities had been vehemently discouraged by the main oppressive figure in his life: his father. Neil Perry, one of the characters included in this central group of boys, follows Keating’s teachings and picks up a peculiar interest in the art of theater. You learn how to express yourself with all the tools you have been given in your early schooling, and the best way to foster this natural urge to express is to allow for freedom. On the wake of adolescence, an individual experiences the bridge between these two worlds, taking the information they have been conditioned to memorize and regurgitate, then discovering how to form new and individualized opinions based on it. In acknowledging the mutual inclusivity and cooperation of what we call opposites, we experience true learning in its most well-rounded sense. Physics is just as much an eloquent painting of our environment as music is a complicated, yet perfectly executed formula. What we fail to realize is the naturally unbreakable intertwinement of the two. For centuries we’ve separated the realms of logic and passion, science and humanities, art and what’s “useful”. This stark contrast shown between strict traditionalism and vivid nonconformity is, what I’d like to believe, the underlying conflict of our human existence and the ultimate paradigm of adolescence. The boys reinvigorate their own version of the club, meeting to recite poetry, play instruments, sound chants, and bond through these brief moments of living by their own spiritual desires. This discreet and forbidden club had been dedicated to the ravenous revival of the arts, and was formerly assembled by Keating in a small cave shrouded deep in the campus woods. Hidden in the depths of Keating’s own yearbook from his time at Welton, a nod to an elusive “Dead Poets Society” sparked the intrigue of the gang. Quickly taking inspiration from Keating’s refreshing deviance, the boys begin to adopt their own adventurous, romantic, passionate nature. Seize the day, boys,” as he presents his students to antique portraits of past alumni, their glory and mastery of the Welton lifestyle inevitably consumed by death. He encapsulates this narrative in his haunting delivery of “carpe diem. His introduction to the following year’s course is the baseline idea that death is imminent, and that living through the appreciative lense of art and literature is a vital asset to the short time we have on earth. Keating introduces a shocking change to the typical “cookie cutter” college-prep style of curriculum that Welton prides itself upon. The group’s story centers around the introduction of a newly hired English teacher by the name of John Keating, played by Robin Williams. Released on June 2nd, 1989, and directed by Peter Weir, Dead Poets Society depicts the formative first year of the highly prestigious and historically demanding all-boys Welton Academy for a group of 6 freshmen students.
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